My collection creation process part 1

When I first began learning surface pattern design, one of my biggest questions was:
Should I start by creating a pattern and then figure out what product it fits?
Or should I choose the product first and design intentionally for it?

In the beginning, I didn’t have a clear answer. I simply created whatever my heart wanted to create, without thinking about scale, repeat complexity, or product-specific requirements. And in many ways, I think that phase was important. Free, intuitive creation is how we explore our style, understand what feels natural to us, and learn the basics of the craft. Before we can refine our focus, we often need a period without any focus at all.

But as I moved forward, something became clearer : purpose gives direction.

Choosing the end use of a pattern — wallpaper, quilting fabric, home decor, stationery — is not just a business decision. It shapes the entire creative process. Different products have different needs, different scales, and even different storytelling expectations. As I like to create as true scale as possible, knowing the end product matters. When you know the purpose, the decisions you make while sketching, choosing motifs, or selecting colors become much easier. Your creative choices get simpler.

Why deciding on the purpose matters

Narrowing the focus helps answer countless questions that appear during the design process:

  • How complex can this pattern be?
  • How large or small should the motifs feel?
  • How many designs do I need in this collection?
  • What relationship should exist between the patterns?
  • How will the end buyer use or live with this design?

 

This clarity is not only helpful creatively — it also makes pitching to companies much easier. When your collection already has a defined purpose, you don’t need to wonder where it belongs. You’ve thought about it. You’ve imagined the product. You may even have a few dream brands in mind as you’re creating.

Early surface pattern design without product focus, showing exploratory creative stage.
Hydrangea wallpaper pattern designed with intentional scale and colors for home decor

Different products, different needs

The purpose strongly influences the structure of the collection.

For example, quilting fabric collections usually include 8–12 patterns with a wide variety of scale and complexity. Quilters need coordinates that mix well together: small ditsy prints, medium secondary prints, one or two hero prints. Harmony between patterns is essential because they will literally be sewn side by side.

Wallpaper, on the other hand, has completely different requirements. Patterns tend to be larger scale, calmer visually. They don’t need to pair with every other print in the collection, because they will not be used together in the same room. What matters most is that they share a theme-a story, a style, or a color direction — something subtle that ties them together while still letting each pattern tell its own story.

Thinking about the product also influences practical decisions such as:

  • repeat direction (wallpapers often benefit from vertical flow)
  • level of detail 
  • balance between contrast and softness
  • whether texture is necessary to add warmth

 

Each category has its own constraints and opportunities.

Designing with the end user in mind

A deeper layer of focus comes from imagining the person who will eventually live with the pattern.

  • Are they drawn to a cozy, traditional interior or a minimalist one?
  • Do they prefer muted tones or bold statements?
  • Do they have children or pets — themes, styles, color choices and practicality?
  • What atmosphere do they want to create in their home?

 

Thinking about the end user doesn’t restrict creativity — it refines it. It adds purpose and helps the pattern feel like it truly belongs somewhere.

How I found my own focus

Over time, I realized how naturally I gravitate toward interior spaces. When I watch films or series, I love to pay attention to the wallpaper, the wall panels, the cushions, the lighting. My eye goes to the pattern or design and the atmosphere it creates. I realized when talking with friends and family: they remembered the story, and I talked about the decor.

It made me understand something very simple: home decor is my world and I want to create for it. 

I love spaces that feel layered, romantic, feminine, nostalgic — and a little bit timeless. That is why I chose to focus on designing wallpaper collections, especially ones inspired by nature, vintage aesthetics, and quiet elegance. My ideal buyer loves historically inspired patterns, vintage looking florals, coastal charm, and patterns that make a room feel warm and lived-in.

Focusing on wallpaper didn’t limit me. It sharpened everything.
My scale decisions became clearer.
My color choices became softer and more interior-friendly.
My motifs became more atmospheric and cohesive.

It brought direction to my creativity.